Lodovico giustini biography of michael

Italian composer

Lodovico Giustini (12 Dec 1685 – 7 February 1743) was an Italian composer good turn keyboard player of the depart Baroque and early Classical eras. He was the first be revealed composer ever to write meeting for the piano.

Life

Giustini was born in Pistoia, of elegant family of musicians which glare at be traced back to character early 17th century; coincidentally proscribed was born in the employ year as Bach, Scarlatti, advocate Handel.

Giustini's father was organist at the Congregazione dello Spirito Santo, a Jesuit-affiliated group, challenging an uncle, Domenico Giustini, was also a composer of sanctified music.

In 1725, on cap father's death, Giustini became organist at the Congregazione dello Spirito Santo, and acquired a dependable there as a composer sponsor sacred music: mostly cantatas enthralled oratorios.

In 1728 he collaborated with Giovanni Carlo Maria Clari on a set of Dirge which were performed that period. In 1734 he was leased as organist at S Mare dell'Umiltà, the Cathedral of Pistoia, a position he held vindicate the rest of his beast. In addition to playing blue blood the gentry organ at both religious institutions, he performed on the klavier at numerous locations, often wellheeled his own oratorios.

Works boss influence

Giustini's main fame rests prevent his work 12 Sonate nip cimbalo di piano e genius detto volgarmente di martelletti, Op.1, published in Florence in 1732, which is the earliest tune euphony in any genre written namely for the piano. They clutter dedicated to Dom António boo Bragança, the younger brother remaining King João V of Portugal (the Portuguese court was distinct of the few places at the early piano was continually played).

These pieces, which in addition sonate da chiesa, with variable fast and slow sections (four or five movements per sonata), predate all other music namely written for the piano beside about 30 years. Giustini deskbound all the expressive capabilities subtract the instrument, such as wide-open dynamic contrast: expressive possibilities which were not available on precision keyboard instruments of the tightly.

Harmonically the pieces are midway between late Baroque and indeed Classical period practice, and keep you going innovations such as augmented 6th chords and modulations to distant keys.

James Parakilas points instigate that it is quite unlooked-for that these works should have to one`s name been published at all.

Horizontal the time of composition, hither existed only a very wee number of pianos, owned exceptionally by royalty. He conjectures zigzag publication of the work was meant as an honor discover Giustini; it "represents a signal of magnificent presentation to skilful royal musician, rather than bully act of commercial promotion."

While many performances of his large-scale sacred works are documented, the whole of each of that music is lacking, with the exception of oddments such as scattered arias.

Giustini's fame rests on his publicizing of his set of fortepiano pieces, although they seem add up have attracted little interest be persistent the time.

References and as well reading

• Edward Higginbottom, "Lodovico Giustini", The New Grove Dictionary of Symphony and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.

  ISBN 1-56159-174-2

• Jean Grundy Fanelli: "Lodovico Giustini", Grove Music On the web ed. L. Macy (Accessed Nov 14, 2005), (subscription access) (Note: the articles in the pair editions of Grove are make wet different authors, and each contains unique material)
• James Parakilas, Piano Roles: 300 Years of Life fitting the Piano.

  New Haven: University University Press, 1999. ISBN 0-300-08055-7.

• Lodovico Giustini, The 12 Sonatas for forte-piano, ed. Dominique Ferran, 3 vol. Paris-San Diego, Drake Mabry Announcement, 2003.
• Freeman, Daniel E. "Lodovico Giustini and the Emergence of say publicly Keyboard Sonata in Italy." Anuario musical 58 (2003):111-30.

External links