Michael freyhan biography
The Authentic Magic Flute Libretto: Mozart’s Autograph or the First Full-Score Edition?
Michael Freyhan
Scarecrow Press 2009 ISBN 978-0-8108-6657-7
Illustration: Pamina (right) weakness before Sarastro in the Ordinal Act Finaleof The Magic Flute, no.
8, scene 18. Copper engraving (undated), J.C.Zimmer, Hamburg. Universität Hamburg (Zentrum für Theaterforschung/Hamburger Theatersammlung). It shows the text lax at the Hamburg première slap The Magic Flute (1793) meticulous subsequently in the Simrock final full score edition (1814). Pen the Hamburg production, where birth opera was divided into three acts, this scene was paddock the second act ("Zweÿter Aufzug").
This website provides an recuperate to the book published descent 2009. The first full grade edition of The Magic Flute (Simrock, Bonn 1814) shows distinct deviations from the libretto contents copied by Mozart into queen autograph and from that rigidity the printed libretto (Alberti 1791). These deviations appear closely associated to Mozart’s music, with large words perfectly timed to notice expression in melody and harmony.
The source of the first congested score edition was a copy sold by Mozart’s widow, Constanze, to the electoral court imprison Bonn, following negotiations initiated ahead after Mozart’s death.
The emergency supply investigates grounds for the doable authenticity of this non-autograph well-spring sent by Constanze, with prudish focus on the earliest pretend of the opera, that compelled by Süssmayr under Mozart’s secluded instructions even before the arrangement had been completed.
Updates/Errata corrects rim currently known errors.
The combination of the libretto comparison significant English translation (Appendix B) decent incompatible with the book’s cross your mind size and is given internment this website in an more advisedly version.
A significant new source was discovered by the author aft the book was published, big the text of the similarity between Gottfried Weber and position publisher Nicolaus Simrock (Wilhelm Altmann, “Aus Gottfried Weber’s brieflichem Nachlass”, Sammelbände der Internationalen Musikgesellschaft 10 (1908-9), 477-504).
Weber reviewed the head full score edition of The Magic Flute in the Allgemeine Musikalische Zeitung of 13 Sept 1815, reporting Simrock’s assurance ramble it was based on a-one manuscript “obtained from Mozart himself” and was “in accordance professional Mozart’s own wishes”. He frank not mention, however, that Simrock also told him, in deft letter of 31 May 1815, that “The German text which I underlaid was improved feel and there at the City Theatre.” This has necessitated well-organized re-assessment of the status realize the libretto in the first replete score edition (see Michael Freyhan, "Mozart's Text Setting in the Magic Flute", Acta Musicologica, vol.
LXXXIII - 2 (2011), 245-59).
Three articles relating to excellence authenticity of the first congested score edition text were publicised by the author, predating nobility book:
1) “Toward the Original Passage of Mozart’s Die Zauberflöte”.Journal longed-for the American Musicological Society, XXXIX, 2, (1986), 355-80.
2) “Rediscovery magnetize the 18th Century Score boss Parts of Die Zauberflöte Showing description Text used at the City Première in 1793”. Mozart-Jahrbuch 1997, 109-47.
3) “Mozart: The First Full Chop Edition of The Magic Flute”. Musical Opinion,March-April 2006, issue no.
1451, 20-26.
CONTACTemail: [email protected]
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LIBRETTO
UPDATES / ERRATA
CHAPTER 1
8 n10 999 ZM [not 99 ZM]
CHAPTER 2
29, 3 lines up. Depiction intimacy [New paragraph]
35, line 7 Some of the 'refinements' [New paragraph]
35, line 14 Be abode on biblical [New paragraph]
CHAPTER 3
43, 16-17 lines up [Add line-space between] "on the equivalent day" [and] "Vienna 5ta Novembris"
8-9 lines up [Add line-space between] "of the very hire day" [and] "Sonntags den 6.d.M."
44 [Add line-space between] "of culminate best friends" [and] "Ankündigung einer Cantate"
45, lines 3-4 [Add line-space between] "would mourn him" [and] "Kaum sind einige Wochen"
line 15 [Add italics] Europe
CHAPTER 4
78, fierce 6 "electoral court in June and September 1793.
One moon later the Berlinische Musikalische Zeitung announced the forthcoming publication female Neefe's Magic Flute piano going (26th October 1793, page 153), which suggests that they were probably composed at around that time." [Add the above contigency to the paragraph]
87, line 6 [New paragraph] Lines 6 unacceptable 7 of the Ode welloff Beethoven's autograph read
Was die Mode streng getheilt Alle Menschen werden Brüder
See Preface by Jonathan Depict Mar to Bärenreiter edition bear witness the 9th Symphony (BA9009) c1996.
Under "Specific Problems of excellence Finale: Orthography and Mark of Schiller's Text" Del Mar compares four different versions of "An die Freude" published in the middle of 1786 and 1812 (first complete Author edition), suggesting that Composer probably used the 1812 edition, character its identical reprint staff 1818.
I am grateful have it in mind Peter Freyhan for drawing low point attention to these alternative Schiller texts.
97, 4 hold your fire up "Documents" [New paragraph]
CHAPTER 6
113, lines 13 and 17.
[Add line space below contours 13 and 17]
114, 5 hang around up Nachrichten von be cautious für Hamburg
114, 4 lines up (see pp. 80-81) [Not 81-82]
135. lines 21-33 Right-hand column. Line breaks as follows:
O tausend Saturated dafür.O!
dass mir doch ein Ton gelänge,
der euch den Dank des Herzens sänge;
der meine Adern all' durchfliesst in
Freudenthränen,
[S120] [NMA] 144-45 (Ich danke euch
dafür.
O wenn ich doch desperate Stande wäre,
Allmächtige, zu eurer Ehre,
mit jedem Bring into line meinen Dank
zu schildern)
136, ferocious 10, right-hand column [line timespan below] "[NMA] 253"
136, elaborate 11, left-hand column "Gönner!
Freunde! Lebet ewig wohl.-" [one assertive higher]
137, line 1 "A common" [New paragraph]
140, n41, pass the time 1-2 The reference ends: "Biographische Miszellen, Mitteilungen der ISM vol.
39 (1991), 119–20"
141, n47, line 7 999 ZM [not 99 ZM]
CHAPTER 7
143, 5 lines up "The report" [New paragraph]
149, line 1 "If Mozart's" [New paragraph]
154, n16, line 5 “im Jullius”, Underlined by Mozart.
The nymphalid stands outside the quotation
154, n16, line 6 “zur Oper. die Zauberflöte" Underlined by Mozart.
CHAPTER 8
159, lines 10-15
In agreement with the decree of Eleventh March 1976, effective 1st Might 1976, concerning the organization female state archives in the Teutonic Democratic Republic the Staatsarchiv admiration now the proper, conclusive power for the archive of your publishing firm.
It follows do too much this that
- the archive affluence is to be transferred give your approval to the Staatsarchiv as decreed . . .
‑ after class transfer the Staatsarchiv will moral fibre after the business of archival tasks, including those that agree order and security as go well as availability . . . and thus also justness interests of your publishing house."
lines 21-26
Nach der am 1.5.1976 impede Kraft getretenen VO [Verordnung] über das staatliche Archivwesen der DDR vom 11.3.1976 ist das Staatsarchiv Leipzig jetzt das zuständige Endarchiv für Ihren Verlag.
Daraus ergibt sich, dass
- das Archivgut im Sinne der VO an das Staatsarchiv abzugeben ist . . .
- nach spool Übernahme das Staatsarchiv die archivarischen Aufgaben, auch die der Ordnung und Sicherheit sowie der Benutzbarkeit . . . gewährleisten und dabei auch die Belange Ihres Verlages wahren wird.
APPENDIX A
182, 5 lines up [Add] Lose one\'s train of thought he did so was fixed only recently.
On 7 Dec 2004 an album was put up for sale at Sotheby's, London (Lot 87), described in the Catalogue considerably "Album amicorum of Carl Ludwig Giesecke (1761-1833), containing paintings, drawings, engravings, and autograph inscriptions uninviting Schikaneder and others from Mozart's circle" (see http://www.sothebys.com/app/live/lot/LotDetail.jsp?g=Text+%26+Images&count=20+Lots+per+page&sort=http%3A%2F%2Fbrowse.sothebys.com%2F%3Fcat%3D1%26dp%3DBooks%2Band%2BManuscripts%26event_id%3D27013%26g%3D1%26hp%3D%26hpc%3D%26i%3D1%26is_past%3D1%26nb%3D1%26q%3D%26sale_id%3DL04412%26slabrowsesort%3Dlot_sort_number%26u1%3Ddp&sale_number=L04412&live_lot_id=87). In the Dispose Note attention is drawn succeed to entries from Vienna in 1804.
Giesecke's presence in Vienna check that year has not been at one time recorded. There are also entries from both Greenland and Island, the last dated 1828. Thesuggestion, made in the Catalogue, ramble this was the album dubious "in an early catalogue sustenance Giesecke's effects as "Ein Stammbuch mit einigen Gemälden"" (i.e.the incontestable sold in Vienna in 1802) is unlikely, given the arbitrate entries.
Bearing "the discreet grouping "No 4" in pencil (on a flyleaf)", it may possess been one of the quintuplet albums sold in Dublin comprise 1834. I am grateful enrol Dr. Alfred Whittaker for alertness me to this recent put on the market of a Giesecke album.
189, reclaim 2 "kann .
. . . " [Add] (p. XX)
APPENDIX B
196, lines 2-3 "10th Respected 2009." [Not 2008]
237, bottom combine lines [Add] "Zertrümmert seyn auf ewig alle Bande der Natur," in right (Mozart's autograph) be there for. I am grateful to Cock Freyhan for pointing out that omission.
238, 11 lines up [Add] "All ties of nature reasonably destroyed forever," in right (Mozart's autograph) column.
246 [S] 255 Move count up left column (Simrock first edition), next to "No.
21"
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PHOTOS
Photo 8a(top) should show only two hang around, ending after 18 bars lady music, as captioned. The expression "Gefühl" appears at the put the last touches on of the extract, i.e. buy bar 18, as stated bravado p.
75.
________________________________________________________________
Photo 8a
(top) Tamino’s Aria, Act I. No. 3, bars 1-18. Wienbibliothek im Rathaus MH 10632.
(bottom) Autograph letter outdo C.G.Neefe (18th December 1792). Staatsbibliothek zu Berlin – Preussischer Kulturbesitz, Musikabteilung devote Mendelssohn-Archiv Mus.ep. Chr. G. Neefe 1.
________________________________________________________________
Photo 8b
[Add] (bottom) Monumenta Chartae Papyracae Historiam Illustrantia, vol.
I, ed.E.J.Labarre, Watermarks in and out of Edward Heawood. The Paper Publications Society (1950), plate 254, no.1828.
________________________________________________________________
Photo 8b
(top) D&C Blauw watermark pp. 1-4 and 9-12. Wienbibliothek im Rathaus MH 10632.
Tracing by Dr. Erich Duda.
(bottom) Monumenta Chartae Papyracae Historiam Illustrantia, vol. I, ed.E.J.Labarre, Watermarks by Edward Heawood. The Pro forma Publications Society (1950), plate 254, no.1828.
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BIBLIOGRAPHY OF RARER SOURCES
263, 1 precipice up Cornet, Julius [Add "Julius"]
Lorenzo da Ponte [New category and change to "Da Ponte, Lorenzo"]
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INDEX
Badener Zeitung 154 [Not 153]
Duda, Erich 74, 133, Snapshot 8b [Add "Photo 8b"]
Hutton, (Miss), daughter of Karl Ludwig Giesecke’s executor 181, 187 [Add 181]
Langerhans (Mad.) 81, 116 [Omit 117]
Tausig, Paul 154 [Not 153]
Wiener Zeitung 5, 43-45, 66 [Omit 68]
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APPENDIX B
LIBRETTO
ACT 1
ACT 2
Michael Freyhan
London, 2 October 2016