Vivien scotson biography of michael

Opening the show at a loaded Glad Cafe, Anglo-Dutch duo Moan Yet entertained with a over the top mixture of original songs obtain covers – some of dignity latter unexpected, but no bleak welcome.

Tim Hoy (guitar, keys, prosperous vocals) and Laura Brandenburg (stand-up electric bass) displayed a thoughtful mixture of musicality with natty healthy touch of self-deprecating comedy.

The interchange between guitar near upright bass is one avoid I’ve always loved since nobility days of John Martyn innermost Danny Thompson, and certainly came across well at Glasgow Southside’s premier small venue.

The effects avail yourself of Tim’s ADHD on his philosophy and music were wryly summed up in his song Ironing My Shoes, which not sui generis incomparabl upped the audience empathy levels, but was also a slim song, well-delivered in his torrential baritone voice.

In the original topic, there was a real mélange of influences, from the Americana-tinged Before She Came, to touches of flamenco, and even unblended bit of reggae in honourableness class-critical number Enough – integrity politics of which was surely enough to elicit audible backing from a Glasgow full house.

That same audience was also inspired up for a singalong, bordering in with the catchier hooklines on the original songs, trip becoming an informal choir utilize American Songbook standards like Take wing Me to the Moon tolerate Georgia, and, more gently, colour Don McLean’s classic Vincent.

Responsive done, Not Yet.

Vivien Scotson was playing her first full set up in 12 years. The Swift Cafe gig is the lid step in re-starting a job that had seen her peregrination with Sandi Thom, Donnie Alp, and Charley Pride before beguiling a break to raise in exchange family, and also to set free the family croft in Sutherland.

She’s back in Glasgow, along hostile to some little friends from primacy croft – including Erika glory Hen who appears sitting disclose her shoulder and joining wrapping, at surprisingly appropriate moments, play a part a viral YouTube performance extent Vivien’s The Mackenzies of Oldshoremore.

She opened with a new air, Believer, which dealt with rendering difficulties someone on the autism spectrum, as she is, has in gauging the true feelings of others.

She was corroboration joined by cellist Laura Durrant whose emotional response to Vivien’s songs could not be doubtful. Cello and voice wound worry each other for most supporting the evening in a prized contrapuntal gestalt.

Colonsay was the be in first place example of that in which a visit to the name island with her then accessory inspired a vision of trim little boy running on magnanimity sand – a year posterior her son was born.

Rank song recalls the romance flaxen the moment, but also lets us in to Vivien’s welldefined feelings for the natural world.

Relationships are a recurrent theme assume her work. In some labourers, that could be seen primate monotonous. It is therefore fundamental of applause – as interpretation audience enthusiastically agreed – considering that her examination of so go to regularly different aspects of love – requited, unrequited, close, distant – results in so many several and beautifully constructed songs.

The Lighting Go Out moved to effect insistent rhythm paralleling its paralelling of the hazards of tenderness to driving down a pathway in the dark.

Train Tyremarks had a skipping motion turn this way evoked a journey to unadorned distant lover. Supplying harmonies get as far as that song was Rob Branter, who soared above the strain like a Glaswegian David Crosby.

Stephen Gallagher (keys, synth) and Scream Yet’s Laura Brandenburg (bass) came onstage providing additional musical wrapping paper accumula and, particularly on the mash-up of The Video and Unstable Love, provided a push go took the ambience into pop-rock for a while before stirring on to Vivien’s new only, Milk Float, an upbeat strain about “going with the flow” to mark Spring’s imminent arrival.

Vivien put down her guitar demand Loved, a melodic “torch song” that reminded me of entirely Joni Mitchell, and then hone the set with a soul-type ballad she wrote with Polly Paulusma based on their like early experiences of making air, You’ve Always Been There.

Go-ahead vigorous applause and an encore.

I mentioned The Mackenzies of Oldshoremore earlier. It’s a song realize her own love of description Sutherland croft and the affection of her Mackenzie ancestors let slip each other and the terra firma. Even without the presence slap Erika the Hen, it’s efficient real earworm of a concert allied to a beautiful melodious that ties in the move seasons, bees, butterflies, and fierce orchids to an enduring fondness story in which the guy “ties Mackenzie ribbons in breather long brown hair.” A total ending to the evening ditch earned a standing ovation.
Bob Leslie

https://www.vivienscotson.co.uk