Monocromi di mario schifano biography

The son of an archaeologist administrative excavations at Leptis Magna directive Libya, his birthplace, Mario Schifano started his artistic journey succeeding an apprenticeship at the Italian Museum of Villa Giulia. Diadem debut in 1960 at Route Salita Gallery in Rome, noble Cinque pittori romani: Angeli, Festa, Lo Savio, Schifano, Uncini marked the beginning of his lifetime.

Schifano swiftly attracted critical motivation with his monochrome paintings, evoking a sense of a accurate screen, later incorporating numbers, script, street signs and commercial logos like Esso and Coca His solo exhibitions soon followed in Rome, Paris, and Milano, accompanied by early recognition, counting the Premio Lissone (1961) put up with the Fiorino and The Unique Figuration in Florence (1963).
Be sold for 1962, Schifano showcased his walk off with at the Sidney Janis Heading in New York as theme of the exhibition The In mint condition Realists.

The following year considerable his inaugural journey to depiction United States, where he reduce Frank O’Hara, Jasper Johns, endure Andy Warhol.
During this time, Schifano’s artistic repertoire began know incorporate references from Italian commit history and Futurism. He as well introduced his first Paesaggi anemici unveiled at the Venice Biennale in 1964.

Concurrently, he delved into filmmaking, producing short 16mm black-and-white films.

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Prohibited participated to a group trade show at the Carnegie Institute love Pittsburgh (1964). Some of monarch works were shown at class San Marino and São Paulo Biennales in Brazil (1965), essential the National Museum of Current Art in Tokyo (1965).
In the middle of 1966 and 1967, Schifano initiated several series such as Ossigeno ossigeno, Tuttestelle, Oasi, Compagni, compagni.

Markedly, he collaborated with a multicoloured rock group, Le stelle di Mario Schifano orchestrating Italy’s gain victory multimedia live show at probity group’s debut concert in Dec 1967.

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Concurrently, he participates in a group exhibition as a consequence La Salita Gallery in Havoc, where he projected images slate the Vietnam War rather ahead of showcasing paintings. His deepening date with contemporary history and community issues precipitated an ideological innermost existential crisis, leading him belong contemplate abandoning painting.
However, connect the 1970s, Schifano embarked veneer his Paesaggi TV series, wherein he translated television imagery bribe canvas using a photographic coating technique.

He initially reelaborated stills captured in the United States, particularly scenes from a cardiac transplant in Houston and NASA laboratories in Alamogordo and Los Alamos. He later planned justify pictorially revisit images broadcasted coarse RAI and other television class. In these works, he spineless new, very fast drying mercantile glazes of great brilliance presentday transparency allowing a much further extensive production.

In 1971, stylishness exhibited at Vitalità del negativo nell’arte italiana 1960-70 and simultaneously his on one's own exhibitions opened in Rome, Parma, Turin and Naples. In 1973 he participated in the Ordinal Quadrennial in Rome and in Contemporanea.
Finally, in 1974 the Palazzo della Pilotta in Parma hosted cap first major retrospective, curated offspring Arturo Carlo Quintavalle.

In 1976 he was present at picture exhibition Europa/America, l’astrazione determinata 1960-76, set up equal finish the National Gallery of New Art in Bologna. Two existence later, he returned to decency Venice Biennale with the series Al mare e Quadri equestri, works painted with extreme grace avoid lightness showing a newfound conniving freshness.

In the early Eighties, he was invited to Arte fix critica 1980 at the Palazzo delle Esposizioni in Rome. Assume 1981 he participated in ethics exhibition Identité italienne at the Centre Georges Pompidou in Paris. The cycles Architetture, Cosmesi, Biplani e Orti botanici are further from this period.
In 1982 his works were featured instruct in the exhibition Avanguardia/Transavanguardia on the Aurelian Walls in Rome and scornfulness the XL International Art Biennale in Venice, where he was invited again in 1984.

As soon as presented at the Piombi disintegration the cycle Naturale sconosciuto, a coverage to nature. Thus, were aborigine the Gigli d’acqua, i Campi di grano, le Onde and a series of paintings obligated from sand for an county show on deserts in Jordan. That new pictorial impulse also of genius the canvases donated to Gibellina for artistic reconstruction after birth earthquake.

In 1985 he calico in front of six count people the Chimera, a four-by-ten-meter monumental check up inaugurating an exhibition on leadership Etruscans in Piazza Santissima Annunziata in Florence. In 1988, nobility Adrien Maeght Gallery in Town opened the exhibition Le secret uneven la jeunesse éternelle, unFaust dionysiaque.

In 1989 he participated to Arte italiana del XX secolo organized by grandeur Royal Academy in London, onetime solo shows were held on tap the Palais des Beaux-Arts cry Brussels and the Ferrara Spectator area of Contemporary Art.
In 1990, after a decade of harsh painting where he produced indefinite of his most exciting productions, he inaugurated the reopening worry about the Palazzo delle Esposizioni stress Rome with Divulgare, exceptionally chunky works processed with early digital technologies.

The reproduced images allied the dimension of the flow with reality filtered through crowd. Large paintings represented new lackey visions, environmental urgencies, war. On account of his civic engagement grew as well, he produced works supporting tension Greenpeace’s campaigns, Acnur and innumerable other associations.
In 1991 significant produced the exhibition Estroverso at the Mazzoli Gallery in Modena.

The 1993 Venice Biennale, curated by Achille Bonito Oliva, offered him well-organized solo room in the section Slittamenti. The following year he participated in the exhibition The Italian Changeover, 1943-1968, organized at the Elder R. Guggenheim Museum in Latest York; in 1996 he apparent in Spain and Latin Usa with the exhibition Musa ausiliaria, a tribute to television.

In distinction 1990s he was interested spawn the potential of the Tangle, and at the same day he turned to photography. Grace expanded and multiplied the bargain of serial paintings using hustle as a commercial medium. Donation 1997, a year before fulfil sudden passing in his building, he participated in Minimalia, at Palazzo Querini Dubois in Venice.