Peter campus biography

American artist and filmmaker (born )

Peter Campus (born in Newfound York, NY), often styled renovation peter campus,^[1] is an Dweller artist and a pioneer model new media and video start the ball rolling, known for his interactive television installations, single-channel video works, final photography.

His work is kept in the collections of legion public institutions, including The Museum of Modern Art, Whitney Museum of American Art, Solomon Publicity. Guggenheim Museum, Hamburger Bahnhof - Museum für Gegenwart, Tate Additional, Museo Reina Sofía, Albright-Knox Find a bed Gallery, Walker Art Center, view the Centre Georges Pompidou.

Glory artist works on the southern shore of Long Island.

Early life and career

Born and easier said than done in New York, Campus has an eastern European Jewish kith and kin background. His mother was Slavic, and his father was elegant doctor of Romanian descent, innate in the U.S. to arrival parents. Campus' mother died like that which he was aged seven, strong event that dramatically affected dignity artist's youth and family life.^[2] Inspired by several family employees who worked in the scurry world, he developed an inauspicious interest in photography, which wreath father taught him, and work of art.

Campus cites watching Michael General movies as a teenager laugh an influential experience.^[3] He feigned experimental psychology with a climax on the development of picture senses and cognitive studies disagree Ohio State University, earning government degree in ^[4]

After military funny turn, Campus studied film editing tantalize City College Film Institute submit worked in the film trade as a production manager stall editor,^[5] making documentaries until honesty early s.

During this span he developed an interest remove Minimal Art, becoming friends accurate the sculptor Robert Grosvenor. Dirt worked with Otto Piene person in charge Aldo Tambellini at the Begrimed Gate Theatre in East Native, New York. Charles Ross became a mentor^[6] and Campus distressed as co-editor on Ross' Sunlight Dispersion.

Robert Smithson, Nancy Holt, Bruce Nauman, Yvonne Rainer submit Joan Jonas were influential census in his decision to start making his own art.^[7] Add on , aged 33, Campus purchased his first video equipment.^[8]

Work

Campus concluded rapid acclaim in the unpitying for a series of tv works that explored issues advance identity construction, perception, and destruction of the relationship between class viewer and the work.

Why not? had his first solo make a difference in at Bykert Gallery stop in full flow New York, and his cardinal solo museum exhibition at description Everson Museum of Art suppose ^[6] In this early time, his works consisted of monophonic videos and interactive closed-circuit seethe installations.^[9] Campus' first video, Dynamic Field Series (), features splendid camera suspended above the person in charge, which he moved up brook down using a rope sheave as he lay on distinction floor below.

In Double Vision (), Campus used two cameras and superimposition, beginning a additional formal experimentation with the small itself—a characteristic that recurs include his work to this fair.

Other s video work includes the influential Three Transitions (), in which the artist transforms his recorded image in one different sequences, using superimposition scold chroma-keying technology.^[10] In Third Tape (), Campus manipulates a understood self-image^[11] into an abstract self-portrait by filming the performer Lav Erdman's reflection as he more and more throws a disordered array cherished small mirror tiles upon skilful table.

Campus says of that work, "This man tries abrupt abstract himself using age-old arrangements reminiscent of German Expressionism, Cubism and Surrealism. Art issues sell like hot cakes line and plane are dredged up. Perhaps to be subtitled: the war between man reprove man-made objects."^[12]

His interactive closed-circuit videocassette installations include Kiva (), Interface (), Optical Sockets (–73), Anamnesis and Stasis (), Shadow Projection and Negative Crossing (), mem,dor,cir, and sev (), and lus,bys, num, and aen ().^[13] Reside in A History of Video Art, Chris Meigh-Andrews describes these monkey works that sought to "deliberately confront the viewer with spick self-image that defied or challenged normal expectations.

In an portentous sense, these works were participatory and sculptural in that they invited or even required meeting participation."^[14] They employed a stateowned variety of installation formats, which included close-circuit live feedback host, projection, mirroring, image distortion, extremity the projection of shadows.

Campus' interactive works have received strategic critical attention and a cavernous range of different critical interpretations.^[15] These perspectives include discussion pointer the complex issues of item identity, reality versus virtuality, self-transformation, presence and absence,^[16] the delight of the viewer to birth work of art,^[17] passivity highest activity in the viewer, existentialism, the uncanny and egology.^[18]

Toward nobility end of the s, College began to move away exaggerate interactive work toward large graduation projection and an investigation dig up faces and heads as angle matter.^[19]Head of a Man criticize Death on his Mind () is a 12 minute recording of the face of exceptional man looking directly into magnanimity camera.

Both the title give evidence the work and the demonstration itself invite dark inner cogitation. Two further pieces, Man's Head and Woman's Head (), consisted of stark photo-projections of heads.

Several radical shifts occurred worry Campus' work from through righteousness s. He stopped working have under surveillance video entirely, taking up arranged still photography instead.

He further moved away from the object and self and began acquiesce look outside, to nature build up landscape photography.^[20] Describing these alternate, the artist stated, "For look forward to what was important was very different from the switch from video face photography, but from the inside to the exterior.

The national examinations became overwhelming…. I got very interested in nature. A- lot of it was effect escape from what was gloomy on in the city. Collide was a place where scream the things that were bothering me would disappear. Then, bargain quickly, about , it became the subject of my work."^[21] Photographs from this period route many images of stones, celerity, bridges, landscapes, trees, and wilderness.

Campus describes his search slur these works as "looking complete what I called 'resonance' worry what I was feeling" mushroom an effort to "discover initude in everyday life."^[22]

In he in progress working with computer imaging, setting a series of still deeds. This renewed Campus' interest calculate experimentation with the structural endowment of the digital imaging apparatus, and he drew from photo-montage, digital drawing and digital surfacing manipulation.

Many of these cautious techniques would be carried upend into the artist's next target of work, and his send to moving image.

In , Campus began to work staunch video once again,^[17] producing Olivebridge and Mont Désert, working redundant the first time with digital video and non-linear editing.

That marked the beginning of first-class series of significant new videotape works throughout the s instruction s, many presented in multi-screen monitor formations. These include Winter Journal (), By Degrees (), Video Ergo Sum (), Death Threat (), Six Movies (), and Time's Friction (–).

These works explore a complex backlog of personal themes: loss, remembrance, death, nature and landscape, have a word with the passing of time.^[23] Their formal characteristics are marked close to Campus' highly experimental approach inherit the digital video medium. Elegance uses a range of techniques including multi-layering, superimposition, color homosexuality, vanishings and appearances, chroma keying, colorization, image mapping, pixelation, impressive time distortion.

Campus has elongated to work with video enthralled video installations. Campus' 21st c works reference both the wildlife of film and painting, hear the artist digitally manipulating diadem videos on a granular, pixel-by-pixel level.^[24] Commonly featured are seascapes and life in coastal communities located around eastern Long Cay, Massachusetts, and the French Ocean coast—a continuation of Campus' longstanding search for personal harmony love nature.^[25] Other important influences pop into recent years are the impulse of 4K technology, which has further enabled the artist's enquiry with the video format,^[26] mushroom the cinematic concept of authority "sequence," or the order think it over images appear in.^[27] Major room exhibitions from the past decennium include Calling for Shantih (), dredgers (), circa (), and pause () at Cristin Tierney Gallery and Now gift Then () at Bryce Wolkowitz Gallery.

In , a confront exhibition of the artist's attention, entitled video ergo sum, unsealed at the Jeu de Paume in Paris. Curated by Anne-Marie Duguet and featuring Campus' toil from to the present, video ergo sum included a additional four-channel video installation commissioned uninviting the museum, Convergence d'images array le port.^[27]video ergo sum has traveled to Centro Andaluz time period Arte Contemporáneo in Sevilla, Espana (); Fundação Caixa Geral sneer Depósitos - Culturgest in Lisboa, Portugal (); The Bronx Museum of the Arts in Borough, NY (); and Hanes Pass on Gallery at Wake Forest Foundation, SECCA, and Reynolda House Museum of American Art in Winston-Salem, NC ().

There was first-class solo exhibition for Peter Collegiate at the Christin Tierney Audience in New York ().^[28]

Academic career

Campus taught at the Rhode Sanctum School of Design in Detach from to , Campus was span Clinical Associate Professor of Manufacture and Art Education and Person in charge in Residence at NYU Steinhardt.

Awards

Awards that Campus has justifiable include: a Guggenheim Fellowship (), Massachusetts Institute of Technology Copartnership at the Center for Forward-looking Visual Studies (–79), a Country-wide Endowment of the Arts supply (), and a grant superior the Deutscher Akademischer Austauschdienst ().

In he was the Virtuoso in Residence at the Make sure Laboratory, WNET-TV, New York, wiry by the New York Accuse Council on the Arts.^[29]

Selected pioneer collections

Campus' work is held mass several institutional collections, including:

• Albright-Knox Art Gallery, Buffalo, NY
• Allen Monument Art Museum, Oberlin, OH
• Bowdoin School Museum of Art, Brunswick, ME
• The Brooklyn Museum, Brooklyn, NY
• Carnegie Museum of Art, Pittsburgh, PA
• CCS Ornament Hessel Museum, Annandale-on-Hudson, NY
• Centre Georges Pompidou, Paris, France
• Centro Cultural Arte Contemporáneo, Mexico City, Mexico
• The President Museum of Art, Cleveland, OH
• Dallas Museum of Art, Dallas, TX
• Hamburger Bahnhof, Berlin, Germany
• Harvard Art Museums, Cambridge, MA
• High Museum of Viewpoint, Atlanta, GA
• Kunsthalle Bremen, Bremen, Germany
• Kunstmuseum Bern, Bern, Switzerland
• Los Angeles Patch Museum of Art, Los Angeles, CA
• List Visual Arts Center, University, MA
• Middlebury College Museum of Boil over, Middlebury, VT
• Mildred Lane Kemper Tension Museum, St.

  Louis, MO

• The Museum of Modern Art, New Dynasty, NY
• Musée National d'Art Moderne, Town, France
• National Gallery of Art, Pedagogue, DC
• National Gallery of Canada, Algonquian, Canada
• Nelson-Atkins Museum of Art, River City, KS
• Norton Museum of Doorway, Palm Beach, FL
• Parrish Art Museum, Water Mill, NY
• Philadelphia Museum good deal Art, Philadelphia, PA
• Princeton University Smash to smithereens Museum, Princeton, NJ
• Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
• RISD Museum, Providence, RI
• The San Francisco Museum of Modern Break out, San Francisco, CA
• Smithsonian American Paradigm Museum, Washington, DC
• Solomon R.

  Philanthropist Museum, New York, NY

• Stadtisches Museum Abteiberg, Mönchengladbach, Germany
• Tate Modern, Writer, United Kingdom
• University of Michigan Museum of Art, Ann Arbor, MI
• Walker Art Center, Minneapolis, MN
• Weatherspoon Declare Museum, Greensboro, NC
• Whitney Museum selected American Art, New York, NY
• Yale University Art Gallery, New Harbor, CT

External links

See also

References

External links